Korg: NAUTILUS-81 Key by Millionhead (Synthesis and Midi Controller for recording and using live)

Synthesizer and Midi Controller for Recording and Live Performances The Most Dazzling and Expansive Collection of Sounds Ever Put Into A Korg Synthesizer The Bundaries of What a Peer Synth and WWAPLETHTATION STINES With the Power of Nine Engines to Drive a New Approach to Sounds, Plentiful Sampling, Audio Recording, Effects, and Processing Power, There is Simply No Ooth that Delivers More to Explied, WitH The Witchflow Ever. Korg Spent Years Refining All Our Digital, Analog, Processing, and Hardware Technologies and Deliveing ​​Them In A Way that Helps The Musician Connect with Their Instrument. The Result is the Incredibly Powerful, One-AF-A-Kind Na authorus.
Features: System, Keyboardsystemnauptilus System Version 1.0KEYBORD88 Key: RH3 (Real Weightd Hammer Action 3), A - C73 Key: Natural Touch Seemi Wee WEITED, C -C61 Key Watch Supported, After Touch is not supported.tone generatorsynthesis Types9sgx-2: Premium Piano (Acoustic Piano) EP-1: MDS Electric Piano (Election Piano) HD-1: High Definition Synthesiziz (PCM) AL: Analog Syog ALOG MODELING) CX -3: tonewheel organ (tonewheel organ Modeling) Str-1: Plucked String (Physical Modeling) MOD-7: Waveshaping VPM Synthesizer (VPM Syntheis) MS-20EX: Component Modelogy (Analog Modeling) Polog (Analog Modeling) : Component Modeling Technology (CMT Analog Modeling) Maximum polyphony*1*2SGX-2: 100 VOICES*3EP-1: 104 VOICESHD-1: 140 Voicesal-1: 80 VOICESCX-3: 40 VoicesMod-7: 52 VOICESMS: 40 VOOCESIXEX : 180 VOICES1: In Rare Cases, When A Large Number of Processor-Intensive Effects are active Simultaneously (For Instance, More than 14 O-VAYPHONY MAY BE SLINE BE SLIDUCED.*2: Devoted to Generating Voices, and A Separate Portion is Devoted to Generating effects. NAUTILUS DYNAMICALLY ALLOCATES THE VOICE POWER BETWEEN THE ENGINES AS NECESSARY. The Quoted Maximum Numbers of Voices Apply When 100% of the Voice Processing Power is Devoted to a Single Engine.*3: 100 Dual-Stereo Notes (Equivalent to 400 MONO VOICES) Preset PCMRAM 496 MBLIGS 1,771 Multi 3,955 Drumsamples) Build-in Expansion PCM Libraryexs301: German2D Pianoexs302: Italian F PianoExs303: Japanse Upright U PianoExS304: Prepared PianoExs305: Eyboards 2EXS307: Strings & Synthsexs308: Guitar CollectionExs309: Bass CollectionExs310: World Essence311: Background Loopsexs312: SFX & Hitsexs313: Found Percussionsexs314: Expansion Drumspcm Ram CapacityPProx. 2GB *4 *4: The Memory Available for Sampling Mode Will Change Based on the use of expansion pcm library and user sample banks. Approx. 760 MB is AvAlable When Shipped from the FACTORY (WHIN LOADING THE FILE Named "Preload.KSC"). Wave sequense598 User Memory, 377 Prelloadsupport for Stereo Multisamples, Synchronization of Individation Tings. SGX-2 Programmium Pianofull Key Stereo Sampling, Chromatically Sampled at Up to 12 Velocity Levels, No Looping.damper Resonance and Mechanical Noise Are Reproduce O12 Velocity Levels, Includes Ambience Piano Type/Samplesexs302 - Italian F Piano12 Velocity Levels, No Una Corda Samplesexs303-Japanse Upright U Piano8 Velocity Levelsexs304-Prepared Piano1-4 Velocity Levelspiano Type128 (with the Factory Settings: The 64 Varies of Exstis: German D : Japanse C Piano, EXS12: SGX-1 Austrian D piano, EXS17: Berlin D Piano Do Not Produce Sound. The Options Must Be Downloadd (Those Will Be Reesed at a Later Date)).) Orordaep-1 Programmds Electric Pianotine and Reed-Type Electric Pianos Powered by Multi-Dimensional Synthesis (MDS), and Vintage Effects.Electric Piano Model Types7tine Ep I Early, Tine Ep II, Tine EP V, Tine EP DMP, Reed Ep200, Reed Sound Level, Attack Noise , Level, Release Noise Level, Attack Brightness, Hammer Widthpanel Controltine Typepreamp Volume, Tone (Treble) Bass (On/Off, Intensity, Speed), Amp/Cabinet (On/Off, DID TY) Treble, Bass), Vibrate (Intensity, Speed), Amp/Cabinet (On/Off, Drive) Effect Types9small Phase, Orange Phase, Vintage Chorus, Black Chorus, EP Chorus, Vintage Flangers 1 Programadvanced Vector Synthesiscontrol Oscillator Volumes and Synthesis & Effects Parameters Via The Vector Joystick and the Tempo-Synchronized Vector Envelope.StructureSingle: ONLY OSC1. OS2 and OS2. Mode Lets You Layer Two Completely Separate Synth Voices, Each with their Own Velocity -Switched Oscillator, Dual Filter, EGS, LFOS, ETC.DRUMS: One Drum Kit, Double Drums: Two Drum Kits8 Velocity Zones, Withsfades and Layeringe Cle Cery Strilling O Multisamples or Wave Sequensfilrstwo Multi- Mode Filters Per VOICES (Low-Pass, High-Pass, Band-Pass and Band-Red-Reject) Four-Mode Filter Routings (Single, Serial and 24DB Mode) Drivers Voice Non-Linear Mr. Circuitqthree Sweep -able MidmodificationThree Envelope Generators, Two Lfos Per Voice, Common Lfo, Four Key Tracking Gene (Alternate Modulation Source), Two AMS MixersQuick Layer / Sport Functionexi TheSiscontrol Oscillator Volumes and Synthesis & Effects Parameters Via The Vector Joystick and The Tempo-Synchronized Vector Envelopeemodultcommon Step Sequencer, AMS (Alternate Modulation Source), Common Lfo, 2 Key Tracking Generators, with Sweep-Ladit Layer / Splitral A-Liasing Oscillators, OSC1, OSC2, Sub-OSCILLATOR And Noise Generator; ring modulation, FM and SyncAudio InputExternal audio can be processed through the ring modulator, filter, driver, amp, and EQFiltersTwo multi-mode filters (low-pass, high-pass, band-pass and band-reject) with four types of filter Routings (Single, Serial, Parallel and 24DB Mode), Multi Filter Mode (Only Filter-A; Modulatable Mix of Low Pass, Band Pass, and Dry Input, for Creating a Wide Variety Filter Types and Effects) -Voice Non-Linear Driver and Low Boost CircuitModulationFive Envelope Generators, Four Per-Voice Lfos, Two AMS Mixers; PER-VOICE STEP SEQUENCERCX-3 Programtonewheel Organ Modelingphase-Synchronous Tonwheels (Clean and Vintage Modes), PERCUSTION, WHEEL BRAKEEX MODDITITION, USER-SPEID DRAVIBREID DRAWBIR PANDDED PRAND PERCUSIONINEINTAL EFFCEROTARY SPEAKER, Vibrato/Chorus, Amp Modeling with Overdrive, 3-Band EQDRAWBAR Controlcontrolled VIA Nine Front-Panel Sliders (VIA Tone Adjust) SplitUPER, LOWER (EVEN IN EX MICENTWO AMS MIXERSSTR-ProgramphySically ModeedCelly Modeves Cay, Dispersion, Nonlinearity, Harmonics, Dual Pickups, and More . Most String Parameters Can Be Controlled in RealtimestringThree Independent Excitation Sources Can Be Used Simultaneously: Pluck, Noise, and PCM. 16 preset "Pluck" Types, with Modulatable Width and Randomization. Noise Generator with Saturation and Dedicated Low Pass Filterpcm Oscillatorg’s Ultra-Low-Liasing Technology, As Introduced in the HD-1; 4 Velocity Zones PER OSCILLATOR; Uses Any Mono Multisamples, InCluding Rom, EXS, User Sample Bank, or sampling Mode. Supports Virtual Memory.excitation Filterded 2-Pole Multimode Filter for Shaping The String Excitation. Filter Can Be Enabled/Disabled Separately for Each Excitation Source. Low Pass, High Pass, Band Pass, and Band Reject Modesaudio Input and Feedbackrun Real-Time Audio Through The String, Including FEEDBACK THROUKH Effects. Modeled FEEDBACK IDSLUDES MODULATE-TO-TO -AMP Distance and OrientationFilterSdual Multi-Mode Filters Per Voice; Single, Serial, Parallel (with Split Stereo Output), and 24DB (4-Pole) configurations. Low Pass, High Pass, Band Pass, and Band Reject Modesmulti Filter Mode (Filter A Only) Modulatable Mix of Low Pass, High Pass, Band Pass PER-VOICE LFOS, 2 Key Track Generators, String Tracking Generators, 4 AMS MIXERSMOD-7 Programwaveshaping VPM Synthesizer Combines Variable Phase Modulation, Wave Sapping Ring, PLACBACK, SAM SAM SAPLBACK, SLULACACACACACACACT nthesis; Able to Convert-LOAD SYX FILESOSCILATORS6 VPM/Waveshaper/Ring Modulation Oscillatorsphase and Modulatable Pitch Per oscillator. 101 Waveshaper Tables Plus Modulatable Drive and Offset. Use as oscillators, or as waveshapers or ringrs for others. 4 Velocity Zones Per Oscillator.uses Any Mono Multisamples, InCluding Rom, EXS, User sample Bank, Or sampling Mode. Supports Virtual MemoryNoise Generator (with Saturation and Low-Pass Filter Function) Audio Inputrun Real-Time Audio Through The VPM Oscillators and Filters.filterSdual Multip (Low Pass, High Pass, Band Pass, and Band Reject Modes), Two Types of Filter Looping (Parallel and 24 DB "4-Pole") Multi Filter Mode (Filter A Only) Modulatable Mix of Low Pass, Band Band Pass, and Dry Input, For Creating a Wide Variety of Unique Filter Types and EffectSpatch Panels Both Preset Algorithm (78 Types) Selection and Free Patching.three 2-In Mixers for Scaling Audio Loul Than Able, with Phase Invertion. Main 6-Input Stereo Mixer, with Modulatable Pan and Volume, Plus Phase InversionModulation10 Envelopes, 4 Per-VOICE LFOS, 9 Key Tracking Generators, Per-Voice Step SequinCer, 4 STANDARS PLUS PLUS PLUS PLUS MIXERSS Gramoscillatorsultra-Low- aliasing oscillators; VCO1, VCO2, Ring Mod, Pink and White NEISE GeNERATORARARARARURURURURUN Real-Time Audio Through The Syntheis Engine and ESP (External Signal Processor) Filters12DB/Octave High Pass and Low Pass and Low Pass Ave Low Cut and High Cut Filters, Availble Per Voice.patch Panelpatchable Audio and Modulation, at AT AT AUDIO RATESPATCH POINTSKEYBORDKERD CV OUT, Keyboard Trigger Out, VCO1 CV in, VCO2 CV2+VCO2 Externry In, VONCYOLOLOL OUTROOL OUTENCY OUT CO2 Outvcfexternal Signal in, External HP Filter Cutoff Frequency Control in, External LP Filter Cutoff Frequency Control in, HPF Out, LPF In, LPF In, LPF OutVco+VCFTOTAL EXTEL EXTEL MODLATAL MODCAEXERNAL INEGEL INEGEG1 ENOMALOPE, EGNAMAL ONVOL ONVOM Al Reverse Out, EG1+EG2 Trigger in, EG1 Trigger In, EG2 Envelope Signal Reverse Outmgtriangle Out, Rectangle Outnoise Generatorpink Noise Out, White Noise Outsample and Holdclock Trigger in, Sample Signal In Controllercontrol Wheel Out, Momentary Switchespsignal in, Amp out , BPF in, BPF Out, F-V CV Out, Envelope Out, Trigger OutoTHERSEXI Audio in, Mixer 1 in, Mixer 2 In, Mixer 2 In, Mixer 2 OUTAL SIGNAL SIGNAL PROCESSOR): USE Incoming A Trigger and/Or CV. sourceModulationOriginal DAR (Delay, Attack, Release) and HADSR (Hold, Attack, Decay, Sustain, Release) EGs 1 &2, Original MG (with MIDI sync), Sample-and- Hold, MVCA, NAUTILUS: 4 additional multi-stage Envelopes , 4 Additional Per-Voice LFOS, and 4 AMS Mixers.polysixex ProgramScillatorsvcosaw, Pulse, PWMSUB OSCILLATOR: Off, 1 Octave Below, 2 Octavefilter24DB (4-POLE) Tegrated Polysix Chorus, Phaser, and Ensmblearpeggiatorintegrated Midi -Synced ARPEGIATOR, with Adjustable Range, Mode, and LatchModulationPolysixoriginal Adsr EG and MG (with MIDI SYNC) .Natipional Multi-Stage Enveloes, 2 AMS LIFOS, PER-VOIBOS Number of Timbres, Master Keyboard Functionality16 Maximumkeyboard and Velocity Splits, Layers, and Crossfades of Up to 16 Programs and/Or External Midi Device Devicesthe Tone Adjust Parameter Function Lets You Modify Program Settings ESISCONTROL OSCILLATOR VOLUMS and Synthesis & Effects Parameters Via The Via The Vector Joystick and the Tempo-Synchronized Vector Envelopequick Layer/Split FunctionDrumkitassignable Stereo/MONO SAMPLES PERITH 8 Velocity Zones (with Cross Function) UM Kitsuser Memory Programs2,560 (1,920 [1,280 HD-1+640 EXI ] Come Preloated) User Memory Combinations1,792 (256 Come Preluated) User Memory Drum Kits264 (104 Come Preloated) 256 GM Level2 Preset Program + 9 GM Level 2 Drum Preset Program. , 128 Slots Per Set listach Set List Provides A 9-Band Graphic EQ, and A Tone Adjust Function That Allows Program Settings to Be AdjustedTRAND TIME Setting of Smooth Sound Transition (SEST) Support Samported Samports PLING, IN-TRACK Sampling) Bit Depth/ Sampling Frequencyram16-bit/48 KHz Stereo/MONO SAMPLING DISK16 OR 24-bit/48 KHzsampling Timaramdepens on the Amount of Awardble PCM RAMMAXIMUM 80 MINUTES (879MB: 16BIT) SAMPLESSS , 000 multisamples (128 INDEXES PER Multisample) Formatskorg Format, AKAI S1000/S3000 Data (with Advanced Program Parameter Conversion); Soundfont 2.0, AIFF, and Wave FormatseditingTime Stretch, Time Slice, Crossfade Loop, and Other Standard Editing Features.Effects12Seesheo In / Stereo Outters2 Stresteeter EFFCTOTETOTORE EFFACTOTOTOTOTOTOTOTOTOTOTOTOTOTOTOTOTOTOTOTOTOTORE OUTTOTOTOTOTOTOTOTOTOTOTORE OUTTOTOTOTORE ON OUTTOTOTOTOTORE ON OUTTOTOTOTOTOTOTOTORE ON OUTTOTOTOTOTOTOTORE ON OUTTOTOTOR 2steo in / Stereo Outtimbre EQONE 3-Band EQ for Each Timbre / TrackFefect Types197ModulationDynamic Modulation And Common LFOEFFFFFFFFFFFFFFFFFFFFFFECTS CONTROL BUSSESTEEREREO SIDE-SHAMING for Compressors, Gates, Vocoders, ETCEFFECTTOTAL 783 Preset, Maximum 32 Per 1 Effect (PRESET USER) ARPEGIATEARPIARPEION MOMOLES E, Two Modules in Combination and Sequenecer Modesarpeggio Pattern5 Presets + ARP A 2,048 Slots (1,593 Come Preload) + ARP B 128 Slotscontrollerson/Off, Latch, Gate, Velocity, Swing, Tempodrum TrackpresNSTPREST PATERNSNS1,272 (Common The Presct Patterns of the Midsencenecenesnesnesnesnesnesnes ED in Sequencer Mode Can Bever Thai To Drum Track User Patterns.trigger Mode / Sync / Zone / SWING, DRUM SD, Tempo Settings Can Be SPECIFIED.SEQUENCER / HDRTRACKS16-TRACK MIDI SEQUENCER + 16-TRACK DICORD + 1 MASTER TRACKSTER THESTERSTERSS Olution1/480 テ tempo40 .00 – 300.00 (1/100 BPM resolution)Maximum Memory400,000 MIDI events or 300,000 audio eventsMIDI Tracks16 tracks plus the master track, 697 preset / 100 user patterns (per song), 18 preset/16 user template songs,Audio Tracks16- Track Playback, 4-TRACK Simultaneous Recording, WAV FILE FORMAT 16BIT/24Bitmaximum Single-File Recording Time (MONO): 80 Minutesautomation: Pan, EQ, and SEND1/210,000 Region Ctionsrppr (Realtime Pattern Play and Record): 1 Pattern Set Per Song