Warm Audio: WA-251 By Millionhead (Warm Audio brand, WA-251 Condenser, is a large diaphragm microphone. Can choose the form of receiving 3 sounds)

Large-Diaphragm Tube Condenser Microphone with 3 Polar Patterns, External Psu, Shockmount, and Wood Presentation Box

The Warm Audio WA-251 is A FAITHIFUL Classic '251-STYME-DIDIATAGE-DIDIATE-DIDIATE-DIDIALE Ser Microphone. The Original, Introduced in 1960, IS Reverse Considered To Be One of the Most Gorgeous-Sounding MICS Ever Made. With Rare Working-Condition Vintage '251S Going for Big Money, The WA-251 is A No-Boraler IF You’re After Uniquely Smooth, PRESTENT, and Open Sound You’ve Heard On Countless Hits. Simply Put, this Microphone Delivers Sumptuous Results on Any Instrument. Stock Your Mic Locker with a Meticulous Renation of A Classic: The Warm Audio WA-251. ET The Pro Audio Price/Performance Ratio, So Where Warm Audio Turned ITS at The Godfather of Large-Diaphragm Tube condenser microphones, you know it haad to be good. And is it Ever! With ITS Discrete, Transformer-Balanced Vacuum Tube Circuitry and Custom Reproduction Capsule, The Warm Audio Wa-251 Nails The Hugs, Creamy Sound of the Beloved and Revering '251-A SOUD HERDEICE RECHELICE S.
no Source The wa -251 Can't Fleesse
Flash back to Any Top Recording Studio in the 1960s, and you'd See the Venerable '251 Everywhere. Now it occupies a lofty perch in the pantheon of the greenst microphones Ever Made. It’s This Classic Circuit Design-Dating Back More than a Half Century-That Warm Audio Closely Followed for the Wa-251. This Faithful Replica Uses Three Polar Patterns and Robust 132DB SPL Handling Translate to Incredible Versatiality; There’s Literally No Source The Wa-251 Can’t Finsse with ITS Inimitable, Seductive Sonics. Engineers at Millionhead Whead Wheve Workd with the Iconic Original Are Beyond Impressed. And you will be too. Ent Recording Techniques . With Two of These Superb Microphones, You Can implement Stereo Techniques Such As Spaced Pair (A/B), XY (Including Blumlein), Ortf Array, and Mid-Side (M-SIDE). For Full Orchestra, Add a third wa-251 for the minimalist-and highly effect-Mercury Living Presence Technique: Three Spact The Orchestral Soundtage, Centers's Podiumum. Set All Three Channels for Unity Gain, Trim for the Loudest Musical Peaks, and Leave Those Faders Alone. Let the Conductor Balance the Orchestra (as Nature Intended).


251 for the rest of us. Every Studio Needs at Least One Pair of High-Quality Large-Diaphragm Condenser MICS, and The Warm Audio wa-251 is Designed After a Legendary One. You can use the wa-251 on anyhing-with World-Class Results. It’s Simply Stuning on Vocals, Acoustic Guitars, Double Bass, Electric Guitar and Bass Cabs, Piano, Drums and Percussions, BRASS, Woodwinds In FACT, You Could Mic An Entire Symphony Orchestra with Nothing But Three Judio Judible Placed Wa-251S Set to OMNI. Considering ITS Amazing Value, IT WOULD BE WISE TWO for Recording Tracks in Stereo. You Haven’t Lived UNTIL YOUARD A Grand Piano Spring to Life Wheet A Pair of '251S. For Drum Room MICS, USE TWO WA-251S and Nuke The Stereo Signal with a Fast Compressor. POSITIVELY EXPLUME!



Featuresfaithful Replica of the Classic '251-STYLE LARGE-Diaphragm Condenser Miccustom All-RASS CK-12-STYLE CapsuleCustom Cinemag USAMERMERMERMERMERMERMERMERMERMERMERMERMERMERUS Gotham 5-METER GAC- 7 7-Pin Tube Microphone Cablewima, Slen French, and Polystyrene Capacitors3 Polar Patterns: Cardioid, Omni, Figure-8DYNAMIC RANGEAXIMUM SPL: 132DB) UT IMPEDANCE: 200 Ohmsrated Load Impedance: ≥ 2k ohmss/n ratio: 80dbaequativalent noise: 12DBA (IEC651) External IEC Groundd Psuincludes 7-Pin Cable, Wood Box, Power Supply, and Shockmoveount