KORG : NAUTILUS-61 Key by Millionhead (เครื่องสังเคราะห์เสียงและ MIDI Controller สำหรับบันทึกเสียงและใช้เล่นสด)

Synthesizer and MIDI Controller for recording and live performancesThe most dazzling and expansive collection of sounds ever put into a Korg synthesizer NAUTILUS pushes the boundaries of what a performance synth and workstation is capable of. With the power of nine engines to drive a new approach to sounds, plentiful sampling, audio recording, effects, and processing power, there is simply no other synth that delivers more to explore sonically, with the workflow to get you there faster than ever. Korg spent years refining all our digital, analog, processing, and hardware technologies and delivering them in a way that helps the musician connect with their instrument. The result is the incredibly powerful, one-of-a-kind NAUTILUS.
Features : SYSTEM, KEYBOARDSystemNAUTILUS System Version 1.0Keyboard88 key: RH3 (Real Weighted Hammer Action 3), A - C73 key: Natural Touch Semi Weighted, C - C61 key: Natural Touch Semi Weighted, C – CVelocity sensitive is supported, after touch is not supported.TONE GENERATORSynthesis Types9SGX-2: Premium Piano (Acoustic Piano)EP-1: MDS Electric Piano (Electric Piano)HD-1: High Definition Synthesizer (PCM)AL-1: Analog Synthesizer (Analog Modeling)CX-3: Tonewheel Organ (Tonewheel Organ Modeling)STR-1: Plucked String (Physical Modeling)MOD-7: Waveshaping VPM Synthesizer (VPM Synthesis)MS-20EX: Component Modeling Technology (Analog Modeling)PolysixEX: Component Modeling Technology (CMT Analog Modeling)Maximum Polyphony*1*2SGX-2: 100 voices*3EP-1: 104 voicesHD-1: 140 voicesAL-1: 80 voicesCX-3: 200 voicesSTR-1: 40 voicesMOD-7: 52 voicesMS-20EX: 40 voicesPolysixEX: 180 voices1: In rare cases, when a large number of processor-intensive effects are active simultaneously (for instance, more than 14 O-Verbs), polyphony may be slightly reduced.*2: A portion of the multicore processor in NAUTILUS is devoted to generating voices, and a separate portion is devoted to generating effects. NAUTILUS dynamically allocates the voice processing power between the engines as necessary. The quoted maximum numbers of voices apply when 100% of the voice processing power is devoted to a single engine.*3: 100 dual-stereo notes (equivalent to 400 mono voices)Preset PCMRAM 496 MB / DISK 2.3G (ROM 1,771 Multisamples, 3,955 Drumsamples)Build-in Expansion PCM LibrariesEXs301: German2D PianoEXs302: Italian F PianoEXs303: Japanese Upright U PianoEXs304: Prepared PianoEXs305: Historical KeyboardsEXs306: Vintage Keyboards 2EXs307: Strings & SynthsEXs308: Guitar CollectionEXs309: Bass CollectionEXs310: World EssenceEXs311: Background LoopsEXs312: SFX & HitsEXs313: Found PercussionsEXs314: Expansion DrumsPCM RAM CapacityApprox. 2GB *4*4: The memory available for Sampling Mode will change based on the use of Expansion PCM libraries and User Sample Banks. Approx. 760 MB is available when shipped from the factory (When loading the file named “PRELOAD.KSC”).Wave Sequences598 User memory, 377 PreloadSupport for stereo multisamples, synchronization of individual notes, and tempo-based settings. SGX-2 PROGRAMPremium PianoFull key stereo sampling, Chromatically sampled at up to 12 velocity levels, no looping.Damper resonance and mechanical noise are reproduced.Una Corda sample supportPCMEXs301 – German2 D Piano12 velocity levels, includes Ambience Piano type/samplesEXs302 – Italian F Piano12 velocity levels, no Una Corda samplesEXs303 – Japanese Upright U Piano8 velocity levelsExs304 – Prepared Piano1-4 velocity levelsPiano Type128(With the factory settings, the 64 varieties of EXs6: German D Piano, EXs7: Japanese C Piano, EXs12: SGX-1 Austrian D Piano, EXs17: Berlin D Piano do not produce sound. The options must be downloaded. (Those will be released at a later date.))Oscillator ControlDamper ResonanceDamper NoiseMechanical NoiseNote ReleaseString ResonanceUna CordaEP-1 PROGRAMMDS Electric PianoTine and reed-type electric pianos powered by Multi-Dimensional Synthesis (MDS), and vintage effects.Electric Piano Model Types7Tine EP I Early, Tine EP I Late, Tine EP II, Tine EP V, Tine EP DMP, Reed EP200, Reed EP200AOscillator ControlHarmonic Sound Level, Attack Noise, Level, Release Noise Level, Attack Brightness, Hammer WidthPanel ControlTine TypePreamp Volume, Tone (Treble, Bass), Vibrate (On/Off, Intensity, Speed), Amp/Cabinet (On/Off, Drive)Reed TypePreamp Volume, Tone (Treble, Bass), Vibrate (Intensity, Speed), Amp/Cabinet (On/Off, Drive)Effect Types9Small Phase, Orange Phase, Black Phase, Vintage Chorus, Black Chorus, EP Chorus, Vintage Flanger, Red Comp, VOX WahHD-1 PROGRAMAdvanced Vector SynthesisControl oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.StructureSingle: only OSC1, Double: OSC1 and OSC2.Double mode lets you layer two completely separate synth voices, each with their own velocity-switched oscillator, dual filter, EGs, LFOs, etc.Drums: One drum kit, Double Drums: Two drum kits.Oscillators8 velocity zones per oscillator, with switching, crossfades and layeringEach zone can play mono or stereo Multisamples or Wave SequencesFiltersTwo multi-mode filters per voices (low-pass, high-pass, band-pass and band-reject), Four-mode filter routings (single, serial, parallel and 24dB mode)DriverPer voice non-linear driver and low boost circuitEQThree bands, with sweep-able midModulationThree envelope generators, two LFOs per voice, common LFO, four key tracking generators, AMS (Alternate Modulation Source), two AMS mixersQuick Layer / Split functionEXI PROGRAM COMMONAdvanced Vector SynthesisControl oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector EnvelopeModulationCommon Step Sequencer, AMS (Alternate Modulation Source), Common LFO, 2 Key Tracking GeneratorsEQThree bands, with sweep-able midQuick Layer / Split functionAL-1 PROGRAMOscillatorsUltra-low-aliasing oscillators, OSC1, OSC2, Sub-oscillator and noise generator; ring modulation, FM and SyncAudio InputExternal audio can be processed through the ring modulator, filter, driver, amp, and EQFiltersTwo multi-mode filters (low-pass, high-pass, band-pass and band-reject) with four types of filter routings (single, serial, parallel and 24dB mode), Multi Filter mode (only Filter-A; modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects)DriverPer-voice non-linear driver and low boost circuitModulationFive Envelope generators, four per-voice LFOs, two AMS Mixers; Per-voice Step SequencerCX-3 PROGRAMTonewheel Organ ModelingPhase-synchronous tonewheels (clean and vintage modes), percussion, key click, wheel brakeEX ModeFour additional, user-specified drawbars, and expanded percussionInternal EffectsRotary speaker, vibrato/chorus, amp modeling with overdrive, 3-band EQDrawbar ControlControlled via nine front-panel sliders (via Tone Adjust)SplitUpper, Lower (even in EX mode)ModulationTwo AMS mixersSTR-1 PROGRAMPhysically Modeled StringIncludes physically modeled damping, decay, dispersion, nonlinearity, harmonics, dual pickups, and more. Most string parameters can be controlled in realtimeString ExcitationThree independent excitation sources can be used simultaneously: Pluck, Noise, and PCM. 16 preset “pluck” types, with modulatable width and randomization. Noise generator with saturation and dedicated low pass filterPCM OscillatorKORG’s ultra-low-aliasing technology, as introduced in the HD-1; 4 velocity zones per oscillator; Uses any mono Multisamples, including ROM, EXs, User Sample Bank, or Sampling Mode. Supports Virtual Memory.Excitation FilterDedicated 2-pole multimode filter for shaping the string excitation. Filter can be enabled/disabled separately for each excitation source. Low Pass, High Pass, Band Pass, and Band Reject modesAudio Input and FeedbackRun real-time audio through the string, including feedback through effects. Modeled feedback includes modulate-able instrument-to-amp distance and orientationFiltersDual multi-mode filters per voice; Single, Serial, Parallel (with split stereo output), and 24dB (4-pole) configurations. Low Pass, High Pass, Band Pass, and Band Reject modesMulti Filter Mode (Filter A only)Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effectsModulation5 Envelopes, 4 per-voice LFOs, 2 Key Track generators, String Tracking generators, 4 AMS MixersMOD-7 PROGRAMWaveshaping VPM SynthesizerCombines Variable Phase Modulation (VPM), Waveshaping ring modulation, PCM sample playback, and subtractive synthesis; Able to convert-load SYX filesOscillators6 VPM/Waveshaper/Ring Modulation OscillatorsPhase and modulatable pitch per oscillator. 101 Waveshaper tables plus modulatable Drive and Offset. Use as oscillators, or as Waveshapers or Ring Modulators for other signalsPCM OscillatorKORG’s ultra-low-aliasing technology, as introduced in the HD-1. 4 velocity zones per oscillator.Uses any mono Multisamples, including ROM, EXs, User Sample Bank, or Sampling Mode. Supports Virtual MemoryNoise Generator (With saturation and low-pass filter function)Audio inputRun real-time audio through the VPM Oscillators and filters.FiltersDual multi-mode filters per voice. (Low Pass, High Pass, Band Pass, and Band Reject modes) , Two types of filter looping (Parallel and 24 dB “4-Pole”)Multi Filter mode (Filter A only)Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effectsPatch PanelSupports both preset algorithm (78 types) selection and free patching.Three 2-in, 1-out mixers for scaling and merging audio, fully modulatable, with phase inversion. Main 6-input stereo mixer, with modulatable pan and volume, plus phase inversionModulation10 Envelopes, 4 per-voice LFOs, 9 Key Tracking generators, Per-voice Step Sequencer, 4 standard AMS Mixers plus 4 simple AMS MixersMS-20EX PROGRAMOscillatorsUltra-low-aliasing oscillators; VCO1, VCO2, Ring Mod, Pink and White Noise GeneratorAudio InputRun real-time audio through the synthesis engine and ESP (External Signal Processor)Filters12dB/octave High Pass and Low Pass self-resonant filtersESP section24dB/octave Low Cut and High Cut filters, available per voice.Patch PanelPatchable audio and modulation, at audio ratesPatch PointsKeyboardKeyboard CV Out, Keyboard Trigger Out, VCO1+VCO2 CV In, VCO2 CV InVCOVCO1+VCO2 External Frequency Control In, VCO1 Out, VCO2 OutVCFExternal Signal In, External HP Filter Cutoff Frequency Control In, External LP Filter Cutoff Frequency Control In, HPF Out, LPF In, LPF OutVCO+VCFTotal External Modulation InVCAExternal Initial Gain Control In, VCA InEGEG1 Envelope Signal Normal Out, EG1 Envelope Signal Reverse Out, EG1+EG2 Trigger In, EG1 Trigger In, EG2 Envelope Signal Reverse OutMGTriangle Out, Rectangle OutNoise GeneratorPink Noise Out, White Noise OutSample and HoldClock Trigger In, Sample Signal In, S/H OutModulation VCAControl Voltage In, Signal In, Signal OutManual ControllerControl Wheel Out, Momentary SwitchESPSignal In, AMP Out, BPF In, BPF Out, F-V CV Out, Envelope Out, Trigger OutOthersEXi Audio In, Mixer 1 In, Mixer 1 Out, Mixer 2 In, Mixer 2 OutESP (External Signal Processor):Use incoming audio as a trigger and/or CV sourceModulationOriginal DAR (Delay, Attack, Release) and HADSR (Hold, Attack, Decay, Sustain, Release) EGs 1 &2, Original MG (with MIDI sync), Sample-and- Hold, MVCA, NAUTILUS: 4 additional multi-stage Envelopes, 4 additional per-voice LFOs, and 4 AMS Mixers.POLYSIXEX PROGRAMOscillatorsVCOSaw, Pulse, PWMSub Oscillator:Off, 1 octave below, 2 octaves belowFilter24dB(4-Pole) Octave Low Pass self-resonant filterEffectsIntegrated Polysix Chorus, Phaser, and EnsembleArpeggiatorIntegrated MIDI-synced arpeggiator, with adjustable Range, Mode, and LatchModulationPolysixOriginal ADSR EG and MG (with MIDI sync).NAUTILUS2 additional multi-stage Envelopes, 2 additional per-voice LFOs, and 4 AMS Mixers.COMBINATIONNumber of Timbres, Master Keyboard Functionality16 MaximumKeyboard and velocity splits, layers, and crossfades of up to 16 Programs and/or external MIDI DevicesThe tone adjust parameter function lets you modify program settings, and the master keyboard function lets you control external MIDI devicesAdvanced Vector SynthesisControl oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector EnvelopeQuick Layer / Split functionDRUMKITAssignable stereo/mono samples with 8 velocity zones per oscillator (with crossfade functions)NUMBER OF PROGRAMS/COMBINATIONS/DRUM KITSUser Memory Programs2,560 (1,920 [1,280 HD-1+640 EXi] come preloaded)User Memory Combinations1,792 (256 come preloaded)User Memory Drum Kits264 (104 come preloaded)256 GM Level2 preset programs + 9 GM Level 2 drum preset programsSET LISTNumber of Set Lists/Slots128 set lists, 128 slots per set listEach set list provides a 9-band graphic EQ, and a Tone Adjust function that allows program settings to be adjustedTranspose settingHold Time setting of Smooth Sound Transition (SST) supported for each slot SAMPLINGSystemOpen Sampling System (resampling, In-Track sampling)Bit Depth/Sampling FrequencyRAM16-bit/48 kHz stereo/mono sampling DISK16 or 24-bit/48 kHzSampling TimeRAMDepends on the amount of available PCM RAMMaximum 80 minutes stereo (879MB: 16bit)Sample Locations16,000 samples/4,000 multisamples (128 indexes per multisample)FormatsKORG format, AKAI S1000/S3000 data (with advanced Program parameter conversion); SoundFont 2.0, AIFF, and WAVE formatsEditingTime Stretch, Time Slice, Crossfade Loop, and other standard editing features.EFFECTSInsert Effects12Stereo in / stereo outMaster Effects2Stereo in / stereo outTotal Effects2Stereo in / stereo outTimbre EQOne 3-band EQ for each timbre/trackEffect Types197ModulationDynamic Modulation and Common LFOEffects Control BussesStereo side-chaining for compressors, gates, vocoders, etcEffect PresetsTotal 783 preset, Maximum 32 per 1 effect (Preset User)ARPEGGIATORArpeggiator ModulesOne module in Program mode, two modules in Combination and Sequencer modesArpeggio Pattern5 presets + ARP A 2,048 slots (1,593 come Preload) + ARP B 128 slotsControllersOn/Off, Latch, Gate, Velocity, Length, Swing, TempoDRUM TRACKPreset Patterns1,272 (common with the preset patterns of the MIDI sequencer)User Patterns1,000Patterns created in Sequencer mode can be converted to drum track user patterns.Trigger Mode/ Sync / Zone / Swing, Drum SD, Tempo settings can be specified.SEQUENCER / HDRTracks16-track MIDI sequencer + 16-track hard disk recorder + 1 master track.Number of Songs200Resolution1/480テTempo40.00 – 300.00 (1/100 BPM resolution)Maximum Memory400,000 MIDI events or 300,000 audio eventsMIDI Tracks16 tracks plus the master track, 697 preset / 100 user patterns (per song), 18 preset/16 user template songs,Audio Tracks16-track playback, 4-track simultaneous recording, WAV file format 16bit/24bitMaximum Single-file Recording Time (mono): 80 minutesAutomation: Volume, Pan, EQ, and Send1/210,000 regions (max.)Event Anchors, BPM AdjustOther FunctionsRPPR (Realtime Pattern Play and Record): 1 Pattern set per song