SONTRONICS : APOLLO 2 by Millionhead (ริบบอนไมค์ คุณภาพเสียงดี และ มีค่าการตอบสนองความถี่อยู่ที่ระหว่าง 20Hz-20kHz)

APOLLO 2 Take your recordings to new heights with our beautifully crafted stereo ribbon microphone ริบบอนไมค์ คุณภาพเสียงดี และ มีค่าการตอบสนองความถี่อยู่ที่ระหว่าง 20Hz-20kHz ตัวไมโครโฟนสามารถใช้งานได้หลากหลาย ไม่ว่าจะเป็น การอัดเสียงในวงออเคสตรา, การอัดเสียงร้องประสานเสียง, การอัดเสียงเปียโน และ การอัดเสียงdrum overheads. ABOUT APOLLO 2Our gorgeous Apollo 2 is a beautiful sounding stereo ribbon microphone that has become, like the original Apollo before it, a must-have for studios, composers, venues and sound stages all round the world, from Glyndebourne to Hollywood. Hand-crafted in the UK using the highest quality components including a hand-wound transformer and cutting-edge laser-welding technology, Apollo 2 will guarantee astonishing results, whatever and wherever you’re recording. With its two highly sensitive ribbon motors set in X-Y Blumlein formation, Apollo 2 will capture a truly stunning and superbly accurate three-dimensional image, picking up every detail of your recording space and your instruments or voices. APOLLO 2 IN USEIdeal for stereo recording, as an overhead for orchestra, choir or instrumental ensemble, or to capture the full character of a solo instrument in stereo or mono, Apollo 2 will give you natural, expansive results with perfect clarity in the highs and a balanced depth and fullness to the mids and lows. Thanks to its phantom-powered circuit and custom-wound transformers, Apollo 2 requires very little gain and no EQ, so achieving the best results is completely effortless. Our Apollo 2, Sigma 2 and Delta 2 are the first ribbon mics in the world to incorporate RFI filters in their circuitry, which means the signal remains crystal clear, even if used live. Sontronics Apollo 2 really will take your breath away and impart a quality to your recordings that you didn’t imagine possible! Sontronics Apollo 2—Just the Facts:Phantom-powered stereo ribbon microphoneTwo ribbon motors fixed in X-Y Blumlein formationIncredibly open, natural soundIdeal for studio or live useLifetime warrantyMade in the UKSontronics Apollo 2—Behind the GrilleApollo 2’s uniquely designed, laser-welded cylindrical grille enables the microphone to capture a truly stunning and superbly accurate three-dimensional image. This means Apollo 2 is perfect not only for orchestral, choral and piano recordings but also for capturing the ambience and character of your entire recording space. Apollo 2 also works amazingly well as an overhead microphone for drums and percussion or smaller instrument and vocal ensembles. It gives you natural, expansive results with perfect detail and clarity in the high frequencies, with a balanced depth and fullness to the mids and lows. If preferred, you can use either of the two ribbon elements separately, enabling Apollo 2 to behave as a mono microphone. However, to do so, turn the microphone 45 degrees in order for the ribbon to be presented straight on to the source. Getting the best results from Apollo 2 is effortless. Thanks to its phantom-powered circuit design and custom-wound, UK-made transformers, it requires very little gain and no EQ. Furthermore, Sontronics engineers have incorporated RFI (radio frequency interference) filters into the electronic design (Sontronics are the only ribbon mics in the world to have this feature) to ensure that Apollo 2's signal is kept crystal clear, whether being used in a recording studio or a live venue. Recommended useApollo 2 is designed as a distance recording microphone and should be used with care as the ribbon elements are very exposed and extremely delicate. However, with sensible placement and careful handling, Apollo 2 will bring you immense satisfaction for many years to come. In short, they’re not for close-miking electric guitar cabinets, but you can work a few feet back, which captures more of the bloom of the amp than sticking a mic on the grille. (Besides, that’s what the Sontronics Halo is for.) A special tip for handling any ribbon microphone. If you’re walking across the studio floor with the mic, cover the grille with your palm so the air doesn’t strike the ribbons and weaken their mounts. Suggested applications:Overhead and room mikingVocal/choral ensemble & operaChamber and orchestral workPianoDrum kit and percussion overheadAcoustic guitarLimited lifetime warrantyLike all Sontronics microphones, Apollo 2 is protected by a lifetime warranty. However, the ribbon elements themselves are not, as they are subject to varying levels of wear and tear depending on use. If either of your ribbons starts to stretch or become damaged in any way, a replacement can be arranged via your local Sontronics service center or directly with Sontronics HQ in England. Who’s using the Apollo 2Since Sontronics first released their ground-breaking Apollo phantom-powered stereo ribbon microphone a decade ago, it’s become a must-have for studio owners, venues, composers, and sound stages all around the world, including Glyndebourne Opera House, the Malibu studio of composer Trevor Morris, Paul Epworth’s Church, and Abbey Road Studios, where a pair of Apollo microphones are used almost daily on their Steinway grand piano and the orchestra or choir for most of the Hollywood soundtracks recorded in Studio One. (Alan Blumlein lives!) Sontronics Apollo 2 users:Abbey Road StudiosTrevor Morris, composer (Vikings, Olympus Has Fallen, The Tudors)Paul Epworth (Adele, Coldplay, U2)Glyndebourne Opera HouseEd Harcourt, songwriter/producerJack Douglas (Aerosmith, Slash, The Who, John Lennon))Cameron Craig (Adele, Unkle, Annie Lennox, Baxter Dury)Mark Rankin (Queens of the Stone Age, Eliza Doolittle, Bombay BicycleClub, Adele, Florence + The Machine)Adam Watts (Jonas Brothers, Miley Cyrus, The Disney Channel)Ben Christophers, artist/producerJoe Harling, FoH engineer (Michael Kiwanuka, British Sea Power)Andy Gray, composer (Big Brother, TT3D, Zoolander, CSI Miami)Noko, artist/composer (Apollo 440)Olivier Unia, producer/composerXavier Marques, artist/producerWarren Huart (The Fray, James Blunt, Daniel Powter, Aerosmith